
- ABLETON LIVE VERSIONS HOW TO
- ABLETON LIVE VERSIONS FULL VERSION
- ABLETON LIVE VERSIONS UPGRADE
- ABLETON LIVE VERSIONS SOFTWARE
It’s a great stepping stone for a beginner. Once you are comfortable with the principles of recording music on Garageband, transitioning to a paid DAW like Ableton will be much easier. The other major downside is that you can only get Garageband on Apple products and so if you own a Windows computer or laptop you won’t be able to get it. But because it was free you haven’t lost anything. You are very limited with the number of effects and plugins you can use and more advanced production techniques are really a no go. The downsides of Garageband will become apparent as you progress as a producer.
ABLETON LIVE VERSIONS SOFTWARE
As musicians, we can get bogged down in talking about software and hardware but in reality, those are just distractions from actually writing and recording music! If you are simply interested in getting started now for free, then give it a go. The software is easy to start using and comes with some pretty nice sounding virtual instruments as well as letting you record your own of course.
ABLETON LIVE VERSIONS HOW TO
For a beginner, it is a great way to learn about music production and how to arrange a musical composition. This DAW gets a bit of stick because it comes free on Apple products but I think that is unfair. Readers of the blog may know I often rave about Garageband. You don’t want to be spending hours or days re-learning a new piece of software when you could be writing music instead! I am now familiar and comfortable with how it works and that is one of the most important factors. I have used Ableton since I got a free copy of Live Lite when I was just 15. People tend to choose a DAW early in their production career and become familiar with it and often end up loving it. The reason for this is there is no one right answer. The question of ‘which is the best DAW’ is one you will find many conflicting answers for all over the internet. The key is the fact that you will get to make the decision yourself after using Ableton Live for a period of time. Some functionality is limited, and after 90 days you will have to make the decision of whether or not to pay for it, but this is pretty standard. You can simply download the software from their site. Luckily, Ableton gives you a 90 day free trial of Ableton Live Suite. Plenty of people get a lot out of Ableton Live and would never switch to any other piece of software, which speaks volumes, but we definitely recommend trying it out. We realise our answer to whether Ableton is worth the money is going to be frustrating for some people, as we can’t give you a “yes” or “no”. There are some cheaper alternatives, as we will come to later on in the article.
ABLETON LIVE VERSIONS FULL VERSION
The price for the full version is similar to the price of Pro Tools, a competing piece of software, which is also extremely powerful, and aimed at musical professionals. You can still carry on using the old versions of Ableton though but you will always feel like you are missing out on something! These new versions come out every few years on average.
ABLETON LIVE VERSIONS UPGRADE
This upgrade cosy is a bit of a hidden cost to consider, you do have to pay to upgrade if you want all the features of the new software. Luckily, once you have purchased one version of the software, Ableton will let you upgrade, so you don’t have to pay the full price to get the next level of software. It is definitely designed to try and get you to upgrade to Standard or Suite. For instance, you can’t add more than 16 tracks to a piece of music you are making. While Ableton Live Lite might be decent for playing around and getting used to the interface, the cheaper price tag shouldn’t be enough to tempt in serious musicians. Plus, Ableton Live Intro restricts quite a few of the features and functions of the software. They all look very similar to start with, but if you buy Standard or Suite then you can enjoy extra VST instruments, effects and loops included.
